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Meet today... Regina Lindackers

Regina Lindackers has been with Xella for 20 years and with Xella International for seven. She is responsible for all matters relating to design and corporate design and supports colleagues in the creation of graphics, videos, etc. She has learned a lot for work and life from the Japanese drum art Taiko.

17 January, 2024

You trained as an industrial clerk. How is it that you now work as a graphic designer

My mother always said: 'Do something commercial, then you'll have a job for life'. So, I trained as an industrial clerk at Mannesmann. After my apprenticeship, I started working as a contact assistant at Mannesmann's in-house advertising agency. That was very exciting, and I soaked up everything and simply learned everything I could get my hands on.

What does that mean?

I was very fascinated by the work there: What types of paper are used for brochures, what are colors? How are graphics created? Those were the days when we used to scratch off the letters for a layout. When the first graphics computers came into the market, I taught myself quite a bit after work. The graphic designers practically adopted me, and I learned a lot from them.

And how did you end up at Xella 20 years ago?

In 2004, the Head of Marketing at Xella Kalksandstein GmbH was looking for an assistant. That was also the year in which the Xella brand was launched, and the various business units and their products were brought together under it. In addition to assistant tasks, I gradually took on administrative and creative tasks or worked with external graphic designers and agencies. I have been working as a graphic designer at Xella International since 2016 and was initially responsible for the design of the Milestones, later also for the corporate design, for which I was also feared at one point.

For what reason?

We have really improved in recent years in terms of the uniformity of our external appearance. The corporate design doesn't look like this because it suits my personal taste, but because it must be easy to adapt and inexpensive to implement for all countries. At the same time, it also needs continuity. And someone who keeps track of that.

Taiko is a Japanese drumming art. How did you get into it?

My best friend from school took me to bongo drumming after work one day. But there was no more room for us in the group at the time. We then took part in a taiko workshop and spent three days drumming for six hours at a time. By the evening of the first day, we could no longer move. When we went to the restaurant in the evening, we couldn't lift our beer glasses because of the pain. Nevertheless, the first workshop was great, and I've stuck with it ever since.

You really toured the world.

We ended up in the performance group quite quickly. In 2004, we traveled to Japan and gave a concert together with a Japanese taiko group we were friends with. It was a great honor. In 2005 we were in Duisburg for the opening of the World Games - we traveled a lot back then and were very well known in the taiko scene. Today, however, we play much less.

What has taiko taught you for your job?

Even in the office, there is always someone who sets the basic rhythm. Every musician plays their instrument and should do their best in the place they are in. Dancing out of line is not helpful and it is very important to listen to what the others are playing. Then the group plays harmoniously and both musicians and audience are happy in the end. Or as my Taiko instructor always said: Everyone takes care of their own drum.

What does creativity mean to you?

You have to allow things to happen that are initially illogical, improbable or simply crazy. A child who has no more space on his drawing paper would draw the wheels of a car on top of the roof. An adult would say directly: "That's not possible". This sentence doesn't exist if you want to be creative. But then comes the craftsmanship. Because the ideas have to be cast in a feasible form.

What plans do you have for the next few years?

Even today I'm still learning, suddenly I have to deal with the design of websites or learn programs for creating animations. If you don't stay on the ball, you fall by the wayside. And if there's one thing I've learned, it's: don't plan anything, because if you plan something for your life, your life is guaranteed to plan something else for you. I always try to do what I do as well as possible and be open to new things.

What does safety mean to you?

I often work in the garden and sometimes I think about the rules we have set up at Xella for work safety, such as securing an unsecured ladder or using the right paths when I stumble through a garden bed again. Then I stand there in the garden and have to smile, because that's exactly what our EHS logo says: Safe work. Safe life. The logo concept works - which in turn makes me happy as a graphic designer.

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